Ya sabemos cuáles serán los relatos que conforman The Best of British Fantasy 2018, el nuevo título de Newcon Press que verá la luz en mayo. La selección ha corrido a cargo de Jared Shurin.
Son los siguientes:
- “There’s a Witch in the Word Machine” de Jenni Fagan (There’s a Witch in the Word Machine)
- “We Are Now Beginning Our Descent” de Malcolm Devlin (LossLit)
- “The Dance of a Thousand Cuts” de Liam Hogan (Terra! Tara! Terror!)
- “A Son of the Sea” de Priya Sharma (All the Fabulous Beasts)
- “To Look Upon His Works” de RJ Barker (Art of War)
- “12 Answers Only You Can Question” de James Warner (EPOCH)
- “The Woman Who Turned Into Soap” de Harkiran Dhindsa (The Good Journal)
- “Mushroom Speed Boosts” de Ben Reynolds (LossLit)
- “The Guile” de Ian McDonald (Tor.com)
- “We can make something grow between the mushrooms and the snow” de Kirsty Logan (The Puritan)
- “The Moss Child” de Lisa Fransson (The Forgotten and the Fantastical 4)
- “Boys” de Lizzie Hudson (Litro)
- “The Farm at the World’s End” de Helen McClory (Occulum)
- “The Prevaricator” de Matthew Hughes (Fantasy & Science Fiction)
- “The Small Island” de Heather Parry (F(r)iction Magazine)
- “A Gift of Tongues” de Paul McQuade (Cōnfingō)
- “Velocity” de Steph Swainston (Turning Point)
- “Counting the Pennies” de Rhys Hughes (The Early Bird Catches the Worm but the Wise Worm Stays in Bed)
- “The Councillor’s Visit” de Beth Goddard (Finesse)
- “Yard Dog” de Tade Thompson (Fiyah)
- “Dark Shells” de Aliya Whiteley (This Dreaming Isle)
- “Coruvorn” de Reggie Oliver (The Silent Garden)
- “The Godziliad” de Adam Roberts (autopublicado)
- “Underground” de Archie Black (Pornokitsch) [solo en la edición limitada]